markise mit anbau Camping Markise
SKU: 9896732744
markise mit anbau

markise mit anbau Camping Markise

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Description

markise mit anbau Camping MarkiseDeine Camper & Go Markise Diese einzigartige, sttzenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten spter im Schatten chillen! Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos! Produktbeschreibung Was macht die Camper & Go Markise so einzigartig? Funktioniert ohne Sttzen, ohne Schnre, ohne Stress. Nie wieder ber die eigenen Heringe stolpern! Sie ist super leicht und nimmt wenig Platz im Camper weg!

Deine Camper & Go Markise

Diese einzigartige, stützenlose Markise spart dir Zeit und Stress. Ankommen, parken, und keine zwei Minuten später im Schatten chillen!

 Du kennst die Camper & Go Markise noch nicht? Hier gibt es alle Infos!

Produktbeschreibung

Was macht die Camper & Go Markise so einzigartig?

  • Funktioniert ohne Stützen, ohne Schnüre, ohne Stress. Nie wieder über die eigenen Heringe stolpern!
  • Sie ist super leicht und nimmt wenig Platz im Camper weg!
  • Abgebaut quasi unsichtbar. Du hast keinen hässlichen, schweren Kasten am Fahrzeug!
  • Sie ist aufgebaut in 90 Sekunden - Abbauen geht noch schneller!
  • 100% Schatten - klingt selbstverständlich? Hier ist es wirklich so!
  • Wasserdicht - logisch!
  • Wasser läuft einfach ab und bildet keinen schweren "Wassersack"!
  • Bei Wind und Regen kannst du ganz entspannt bleiben. Die Markise hält! Zugelassen bis max. 25km/h.
    Ist die Markise für mich geeignet?

    Grundsätzliche Voraussetzungen:

    • Dein Dachträger (falls schon vorhanden) sollte stabil genug sein.
    • In speziellen Fällen geht es auch ohne Dachträger. Zum Beispiel per Verschraubung mittels Adapter funktioniert die stützenlose Markise auch ohne Dachträger. (z.B. Adapter No. 06)
    • Bei der Installation deiner Camper & Go Markise müssen die beiden Markisenaufnahmen, von Lochmitte zu Lochmitte, im exakten Abstand zu einander installiert werden. Der Abstand entspricht deiner Markisenauswahl.
    • Werkzeug, Knowhow, oder ein Fachmann für die Installation sind selbstverständlich.

    Bitte schau dir auch unbedingt dieses Video komplett an! Darin beantworte ich fast alle Fragen zu Aufbau, Anbindung, und was sonst noch wichtig ist...
    Sollten trotzdem Unklarheiten bestehen, oder du weitere Hilfe brauchen, melde dich bei mir.
    Ich versuche sehr gern dir zu helfen, damit du auch endlich eine großartige Markise ohne Stützen bekommst!

    Was ist mit Wind?

    Die Markise hält so einiges aus, aber sie ist nicht unzerstörbar.

    Die Markise ist bis 25 km/h Windgeschwindigkeit zugelassen. Darüber ist die Markise abzubauen. Informiere dich über das Wetter vor Ort. Besonders an der See können spontan heftige Böen auftreten.
     
    Die Markise darf nur unter Aufsicht betrieben werden. Beim Verlassen des Zugriffsbereiches ist die Markise abzubauen.

    Schau dir einfach diese Video an.

    Wie befestige ich das?

    Grundsätzlich ist die Installation super einfach.

    Alles was du tun musst, egal wo du die Markise installieren möchtest: du musst die beiden Markisenaufnahmen parallel zueinander im richtigen Abstand befestigen. Das ist alles.
    Dafür habe ich einige Lösungen und Adapter entwickelt, die dir verschiedenste Konstruktionen ermöglicht.

    Grundsätzlicher Abstand der Markisenhalterungen:

    Egal für welche Installation du dich entscheidest. Du must den angegebenen Abstand exakt einhalten. Zu wenig Abstand, dann hängt die Markise durch. Zu viel Abstand, dann ist das ganze System zu sehr gespannt. Beides führt dazu, dass die Markise schneller verschleißt, oder nicht richtig arbeitet.
    Solltest du ein Sondermaß benötigen, lass uns telefonieren - bestimmt finden wir eine Lösung.

    Befestigung der Markisenaufnahme:

    Die Markisenaufnahme und die Stofflasche installierst du vorne mit je zwei M6 Schrauben am Camper & Go Dachträgerfuß, oder dem Adapter. Hinten wird die Markisenaufnahme mit je einer M8 Schrauben und der entsprechenden Schraublasche befestigt. Diese werden dann dann am Aluprofil, oder dem Dachträger verschraubt.

    Hier habe ich dir Video zu dem Thema gemacht: Hier klicken. Auf meinem Kanal findest du auch noch weitere Videos zum Aufbau.

    Installation an Camper & Go Dachträgernfüßen:

    Die Installation der Markisenaufnahme erfolgt vorne mit je 2x M6 Schrauben und hinten mit Schraublasche S 01.
    Für die Standard Dachträger (Anschraubpunkte, C-Schine, Airline-Schiene, Fixpunkte) benötigst du die Markisenaufnahme 2° Standard. Für die Regenrinnendachträger benötigst du die 13° Spezial-Halterung. Mehr Infos dazu findest du bei den entsprechenden Dachträgerfüßen.

     


    Instalation mittels Adapter:

    Falls du mit den Dachträgerfüßen nicht auf die exakten Maße kommst, oder an einen anderen Dachträger bauen willst, helfen dir die entsprechenden Adapter.


    Wichtig!

    Der Anbau sollte durch qualifiziertes Fachpersonal erfolgen! Im eigenen Interesse und zum Schutz anderer muss alles sicher und stabil sein! Safety First!
    Ich übernehme keinerlei Haftung für unsachgemäße Befestigung oder Eigenkonstruktionen!

    Lieferumfang | Nutzerinformationen | Herstellerangaben
    • 2x Markisenaufnahmen - Edelstahl
    • 2x Stoffbefestigungslasche - Edelstahl
    • 2x teleskopierbare Carbonstangen (CFK/GFK)
    • 1x Markisenbespannung inkl. Befestigungsmaterial
    • Schrauben - Edelstahl schwarz (4xM6, 2xM8) 
    • 2x Sicherheits-Anhänger

    Leg dir am Besten gleich die benötigten Adapter, Schraublaschen oder Dachträger in den Warenkorb.

    Technische Daten & Pflege

    Markisenaufnahme
    Material: Edelstahl
    Gewicht inkl. Anbauteile: 1990g (2Stück)

    Stangen
    Material: CFK
    Gewicht inkl. Beutel: 1260g (2 Stück)

    Markisenstoff | Befestigung
    Material Markise: Nylon/Polyester
    Wassersäule 5000mm
    Gewicht inkl. Anbauteile und Beutel: 350g (220cm) / 380g (250cm) / 430g (300cm)

    Gesamtgewicht
    ca. 3,7 kg

    Pflegehinweise

    Stoff

    • Bitte stets trocken verstauen. Wenn der Stoff naß verpackt wird kann es zu Stockflecken kommen und die Beschichtung kann Schaden nehmen. Das führt zu einer Wasserdurchlässigkeit. Also: Wenn's mal regnet und man schnell alles zusammenpackt: den Stoff einfach bei der nächst möglichen Gelegenheit nochmal auspacken und ordentlich trocknen lassen.

    Stangen

    • Die Stangen sollten stets sauber gehalten werden. Wenn die Stangen mit Staub und Dreck bedeckt sind, können diese durch Kratzer verschleißen. Die Klemmung der Teleskopauszüge kann leiden und die Stabilität kann abnehmen. Hier empfehle ich einen besonders sorgsamen Umgang und eine Reinigung mit einem sauberen Tuch nach jedem Gebrauch, um Staub und Dreck zu entfernen. Also mit einem sauberen Tuch abreiben und sie erst dann zusammenschieben.

    Allgemein

    • Reinigung mit Wasser und sauberem Tuch. Keine scharfen Reiniger, Alkohol oder Bremsenreiniger verwenden. Stoff nicht in der Waschmaschine waschen.
    Gewährleistung & Rücknahme

    Jegliche Rücknahme und Haftung ist bei diesem Produkt ausgeschlossen, sobald du irgendetwas an den gelieferten Teilen bearbeitet hast.

    Die Stangen sind vom Umtausch ausgeschlossen, sobald sie einmal in Gebrauch waren, da eine unsachgemäße Bedienung nicht ausgeschlossen werden kann.

    Hier findes du die Bedienungsanleitung: Klick!

    Hersteller nach GPSR
    Camper&Go - Mirko Frank
    Dammstr. 30
    75382 Althengstett
    www.camper-and-go.com

     

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    Exchange/Return Notes
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    • Final sale items are not eligible for returns or exchanges.
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    SKU: 9896732744

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    4.5 ★★★★★
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    Verified Purchase
    Matthew
    Alexandria, US
    ★★★★★ 1
    Poor read
    Format: Paperback
    Not worth the hype. Was poorly written and had to put it down and not finish it.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 20, 2025
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    T
    Whiting, US
    ★★★★★ 4
    Great story
    Format: Paperback
    I’m not an avid reader, but this was finished in a few days. Such a good book!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 14, 2025
    A
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    AMD
    Cuba, US
    ★★★★★ 3
    Won’t be buying book two.
    Format: Paperback
    Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 8, 2025
    D
    Verified Purchase
    Dr.C.J.Singh.Wallia
    Dallas, US
    ★★★★★ 5
    An Excellent Primer on Novel-Writing
    Format: Paperback
    WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 7, 2020
    M
    Verified Purchase
    Matt M
    Lexington, US
    ★★★★★ 5
    Will reading Wired for Story really make you smarter?
    Format: Paperback
    In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 11, 2012

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